Love & Cake
Everything you never cared to hear from your local pastry chef and friend.
Love & Cake
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singingjennie:

Ruby Lips.
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museedart:

paperswallow:

Photographer Tom Hunter recreates classic paintings in modern, post industrial British settings.

Andrew Wyeth, Christina’s World, 1948, MoMA, NYC
Sir John Everett Millais, Ophelia, 1851 - 2, Tate, London 
Johannes Vermeer, Girl Reading a Letter at an Open Window, 1657 - 59, Gemäldegalerie, Dresden
museedart:

paperswallow:

Photographer Tom Hunter recreates classic paintings in modern, post industrial British settings.

Andrew Wyeth, Christina’s World, 1948, MoMA, NYC
Sir John Everett Millais, Ophelia, 1851 - 2, Tate, London 
Johannes Vermeer, Girl Reading a Letter at an Open Window, 1657 - 59, Gemäldegalerie, Dresden
museedart:

paperswallow:

Photographer Tom Hunter recreates classic paintings in modern, post industrial British settings.

Andrew Wyeth, Christina’s World, 1948, MoMA, NYC
Sir John Everett Millais, Ophelia, 1851 - 2, Tate, London 
Johannes Vermeer, Girl Reading a Letter at an Open Window, 1657 - 59, Gemäldegalerie, Dresden
museedart:

paperswallow:

Photographer Tom Hunter recreates classic paintings in modern, post industrial British settings.

Andrew Wyeth, Christina’s World, 1948, MoMA, NYC
Sir John Everett Millais, Ophelia, 1851 - 2, Tate, London 
Johannes Vermeer, Girl Reading a Letter at an Open Window, 1657 - 59, Gemäldegalerie, Dresden
museedart:

paperswallow:

Photographer Tom Hunter recreates classic paintings in modern, post industrial British settings.

Andrew Wyeth, Christina’s World, 1948, MoMA, NYC
Sir John Everett Millais, Ophelia, 1851 - 2, Tate, London 
Johannes Vermeer, Girl Reading a Letter at an Open Window, 1657 - 59, Gemäldegalerie, Dresden
museedart:

paperswallow:

Photographer Tom Hunter recreates classic paintings in modern, post industrial British settings.

Andrew Wyeth, Christina’s World, 1948, MoMA, NYC
Sir John Everett Millais, Ophelia, 1851 - 2, Tate, London 
Johannes Vermeer, Girl Reading a Letter at an Open Window, 1657 - 59, Gemäldegalerie, Dresden